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casp news & updates

Welcome to the CASP blog! On this page, we will share our monthly newsletter, details about our studio album, and other behind the scenes stories! 

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We had the opportunity this week to go back into the recording studio for a surprise single. We're so close to announcing release dates, I can't wait to share this music with you all!!!!


In the last 6 months I've now recorded at 3 different studios in New York City. The first was Big Orange Sheep in Industry City (Brooklyn) with the entire band. Sadly since our recording, Big Orange Sheep has closed its doors. We are so fortunate to have recorded there. Their piano (a Fazioli) is still one of the best pianos I've ever heard and our engineer MP captured it beautifully in the recording.


 


Photo credit: Vick Krishna

 

When we met with MP the first decision we had to make was how we wanted to record all the musicians. We chose to capture each player with isolation booths. Each musician had their own room so that our engineer could isolate and put the voice, bass, piano, and percussion on individual tracks. If we all had recorded in the same room MP wouldn't have been able to make the same sort of adjustments and edits. We wanted our album to have a clean and crisp sound to it. We later added more percussion that Taka wouldn't have been able to do in one take, and I preferred to be able to return to the studio for more vocal dubbing so that my voice could stay fresh throughout the entire recording.


Our other two studios CASP recorded in were 2nd Story Sound and Renaissance Recording, both in Manhattan. These two spaces were perfect for the vocal dubs. The next two clips are from Renaissance.



Isabella works through the vocal dubs of Dos Gardenias at Renaissance Recording. Video credit: Jon Price

Isabella works through the vocal dubs of El sunsún at Renaissance Recording. Video credit: Jon Price
 

Any areas of the songs that could be a little tighter, maybe more whispery or fixing some diction issues were able to be addressed because we went back into the studio post the band recording.


I hope you enjoyed this behind the scenes look at recording the Cuban Art Song Projects first album!


Abrazos,

Isabella






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Introducing the CASP Song Spotlight


Introducing the Cuban Art Song Project's "Song Spotlight". Each month we will highlight a "petite" version of our favorite Cuban songs. We kick this month off with Eduardo Sánchez de Fuente's La Volanta. The volanta, or steering wheel was an open carriage, popular in the mid 1800s, similar to a quitrìn (pictured below). Sánchez de Fuente's charming song La Volanta describes our coquettish protagonist, (the daughter of a wealthy coffee farmer) asking her Calesero (coachman or driver) to go slowly while she savors and contemplates. She is waiting for her lover in the guardarraya, the path alongside the coffee plants. She later asks her Calesero not to tell her father what they've been up to.




I thoroughly enjoy performing this song and like to pair it with Jorge Anckermann's equally charming El Quitrín. ***Evidently carriage songs were very popular as subject material in the late 19th century.


Both La Volanta and El Quitrín are perfect examples of what we in the classical world think of as art songs. In general, art songs are a type of musical composition, usually for solo voice and piano, often with poetic lyrics.


These songs are characterized by:


  1. Combination of Poetry and Music

    1. Art songs are usually based on well-crafted poetry, with composers striving to enhance the emotional and narrative elements of the text through their music.


  2. Piano Accompaniment

    1. The piano accompaniment plays a crucial role, often providing not just harmonic support but also contributing to the mood and atmosphere, sometimes even reflecting the themes of the lyrics.


  3. Form

    1. While the art song can vary in structure they are often strophic (same music or melody but different lyrics) or through-composed (continuous, non-repetitive) forms.


  4. Emotional Expression

    1. These works aim to convey deep emotions and complex feelings, making them expressive and often introspective.


  5. Historical Context

    1. When we think of art song, we typically think of this genre peaking in popularity during the 19th century in the Romantic period of music. The german lied or french chanson come to mind and composers like Franz Schubert, Robert Schumann, Johannes Brahms, Gustav Mahler, Gabriel Fauré, and Claude Debussy were masters in the art song.


  6. Performance

    1. Art songs typically are presented in a concert setting, often as part of a recital in a more intimate setting (though they certainly can be presented in large scaled venues).


 

When I studied classical voice at The Boston Conservatory, preparing and performing art songs were a large part of the curriculum. Each semester we were required (as part of our jury) to sing several art songs which had to be in German, French, Italian, and sometimes English for a panel of professors who would grade us based on our technical and interpretive proficiency. In short, I really learned how to sing classically through art songs.


Fast forward to living in NYC as a professional singer and I frequently am asked to sing arias (songs from oratorios and operas) and musical theatre songs, but almost never have the opportunity to perform art songs. As a performer, I also prefer the theatricality and heightened expressivity of arias to the more subtle quality of German and French art song. I was so excited to discover that many Cuban art songs feature elements of classical art song (poetry, piano accompaniment, a self-contained quality) with rhythm and melody that feel much more theatrical and exciting than most European art song.


 

Expanding the idea of what is an art song


When you hear the term, "classical music," most people mean any music that feels like it would belong in a concert hall. It evokes thoughts of acoustic spaces, technical proficiency, and requires rigorous preparation to perform well. In academic terms, classical music only refers to music written during the classical era (roughly 1730-1820) when Mozart, Haydn, and Beethoven were writing. Similarly, art song means something specific to musicologists that probably wouldn't include a lot of the music we perform with CASP. However, I chose the name Cuban Art Song Project to connect cuban art music to the larger art song tradition and to indicate the seriousness with which it should be treated. To me, art song describes the manner in which an artist prepares (intense rehearsal, analysis, and vocal coordination) and presents (formal concert setting, piano and voice, etc.) a piece.


Abrazos,

Isabella

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Latest Updates!

October has been an incredibly productive time for the Cuban Art Song Project. We finished our website with logo and illustrations by Lilia Quinaud, performed concerts in two different NYC venues, and have many more exciting updates that are not quite ready to be shared, but you will be the first to know.

 

Se Fué

Our engineer is busy mixing CASP's first studio album (Se Fué) featuring the songs of Ernesto Lecuona. If you've attended the last couple performances in NYC you've heard many of these songs with piano accompaniment. I'm so excited to share versions of these songs with all the colors of a full band.


 

Spotlight on Lilia

 

While searching for an artist to help define the look of the Cuban Art Song Project, I stumbled upon Lilia’s work and was immediately captivated. Her vibrant use of color and her ability to blend simplicity with refinement resonated deeply with the vision I had for CASP. Each piece exuded a sense of warmth and authenticity that reflected the spirit of Cuban culture and of the music we are bringing to life. Lilia’s artistic style is a perfect fit for our project, and I am thrilled with how she has supported our mission through her artistry.





 

A special thank you to the Phoenix Ensemble for hosting the Cuban Art Song Project at the storied 92nd Street Y and beautiful Lenox Hill Neighborhood House. Both audiences were incredibly enthusiastic and their responses moved me deeply. Below is a clip from the 92nd St Y, performing Lecuona's "Se va el botellero".




 

Those of you who have followed CASP since the beginning know that we are an entirely self funded organization and depend on the generous contribution of our supporters to do what we do. With your help we have recorded the first studio album, launched this website, and have brought concerts of Cuban music to audiences across three different states.

 

We have raised almost $9,000 of our initial $15,000 goal. Once raised, the remaining $6,000 in this campaign will go to mixing, mastering and releasing the studio album (Se Fué), and continuing our tour to bring this beautiful music to more audiences outside of the New York metropolitan area. Use the link below to help us reach our goal.




WE HAVE MERCH!


With the holiday season fast approaching please consider giving the gift of CASP. We have branded tote bags, tee shirts, hats, and coffee mugs. CASP receives a significant percentage of each item sold and all the proceeds go toward hitting our goal.

 

Visit our Etsy shop below:




Abrazos,

Isabella

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